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|birth_place = Milan, Italy |school_tradition = Continental philosophy |main_interests = Aesthetics |notable_ideas = ''Arte essenziale'' |influences = BlanchotNancy |influenced = }} Federico Ferrari (born 15 September 1969) is an Italian philosopher and art critic. He teaches Philosophy of Art at Brera Academy, in Milan, Italy. == Career == Under the influence of Maurice Blanchot and Jean-Luc Nancy he has published many essays on philosophy, as well as literature. He has written two books with Jean-Luc Nancy: the first on the subject of nude,〔Ginette Michaud, ''Nus sommes (peau des images ), de Federico Ferrari et Jean-Luc Nancy'', Spirale, Montreal, n. 192, 2003〕 the second on the iconography of the writer.〔Catherine Mavrikakis, ''Iconographie de l’auteur, de Federico Ferrari et Jean-Luc Nancy'', Spirale, Montreal, n. 204, 2005〕 More recently, he has been working on the deconstruction of the museum in post-modernity, on the issue of art and/in time and on the ontological status of the image.〔"(Il re è nudo )" by Antonello Tolve in "Arskey"〕〔"(Il mondo-immagine e l'insieme vuoto )" by Fabrizio Migliorati in "doppiozero"〕 In 2011 he theorized the aesthetics of "Arte Essenziale", which manifested itself in the show held at Collezione Maramotti (Reggio Emilia, Italy) and at Frankfurter Kunstverein (Germany).〔"( Shortguide of the exhibition )" by FKV〕 Eugenio Viola writes of Ferrari, "In a time when many continue to lament what they see as the inexorable decline of theory’s role in criticism, “Arte essenziale” (Essential Art), curated by philosopher Federico Ferrari, does its part to placate concerns with an exploration of the ties that link artistic practice and philosophical speculation. The show focuses on the Wesen, or essence, of a work of art—a notion that has always been inextricably linked with a search for the new."〔"( Arte essenziale )" by Eugenio Viola in "Artforum"〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Federico Ferrari」の詳細全文を読む スポンサード リンク
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